Wednesday, December 17, 2008

Songs of the Year, Year End Mixtape Tracklist

Maybe I'll like post mp3s or write something about these songs at some point. These are in mixtape and not quality order.

1. Times New Viking "Pagan Eyes"
2. Little Boots "On Repeat"
3. Lil Wayne "A Millie"
4. Ninjasonic featuring Vivian Girls "Go Tell The World (Remix)"
5. Deerhunter "Never Stops"
6. M83 "Graveyard Girl"
7. La Roux "Quicksand"
8. Air France "Always Collapsing At Your Door"
9. Beach House "Gila"
10. Vampire Weekend "M79"
11. Jay Reatard "No Time"
12. The Magnetic Fields "Too Drunk To Dream"
13. Brownwater "The Brown Green Lantern"
14. Heartsrevolution "Digital Suicide"
15. T.I. featuring Rihanna "Live Your Life"
16. The Mae Shi "Run to Your Grave"

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Tuesday, December 16, 2008

Best Record Art of the Year

Do people even make record sleeves anymore? Well, yeah some do. Some just give you a jpeg. Still artwork associated with album is alive and well, just look!

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Tuesday, July 22, 2008

Jay Reatard, I Hate You! I Hate You! ...gah... I Love You. (sob)


Some people have jobs Jay Reatard!

Every once in a while a person who loves your music has to be at a desk(or somewhere else perhaps, like cleaning animal cages, or in surgery) at a particular time. They can't log in to an internet presale right on the dot to order your records. They can't be at Other Music at opening to grab one of your precious split 7" records with Deerhunter on the b-side.

It's just, well, all I wanted was a record. Now I'm left to download an mp3, devaluing music even further in my mind.

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Monday, October 22, 2007

My last Two Months in Rock!

It's been a little while... I know I should have called... It's not you it's me... There was no one else, I swear... Okay, maybe there was... I'm back now and I've got lots of Rock shows to tell you about... I know you'll never forgive my absence but please try to forgive it.

9/15/07 - Webster Hall
White Williams 61% - This band could certainly put on a decent show and there might be some good songs buried in their set but to a third full room and to my uninitiated ears it all came off as too polite, too unadventurous indie-rock with a lap-top on stage for show.

Dan Deacon 84% - Dan Deacon is one of the most captivating performers touring today. He has a singular vision and does nothing to adjust it for the size of room he's playing or the type of crowd he's playing to. Lucky for me I'm pretty feisty and managed to make it to the stage so that I could see some of Dan. Curiously though the visual aspects of the show have become less important as his popularity has grown it has become much more about the energy Deacon feeds into the crowd, that energy was on full display.

Girl Talk 94% - Girl Talk at Mercury Lounge last year is one of the best live experiences of my life. After the crowd reshuffle forced by people's being on stage for Dan Deacon I was pushed into the center of the now packed Webster Hall. I feared without full contact with Greg Gillis the show would be ruined. I was very wrong. The crowd was a pit of sweat and movement and Girl Talk has constructed a twisted wonderful world of samples including old staples and new surprises. The energy coming from the crowd on stage was huge and the entire Girl Talk set up nearly collapsed as the crowd almost pushed Greg and his lap-top off the stage. The very frustrated security guards had to help hold it up.


9/19/07 Music Hall of Williamsburg

Black Lips 95% - Of late garage rock is owning my heart. Whether the fresh gems of King Khan and the Shrines What Is?! or the well worn tracks of The Modern Lovers' self titled album this is where my head and heart are this year and no one captures that better at this moment than Georgia's Black Lips. It was a beer spilling rowdy time and I had no shame about jumping around and shouting along to every word in this amazing set (which included to bring it back around included a King Khan cover).

PS: This was my first show at "The Music Hall of Williamsburg" which might be the best (and most pretentiously named) venues in the city.

9/22/07 Bowery Ballroom
Les Savy Fav 89% - These guys have come a long way in the years between their singles comp Inches and their latest album Let's Stay Friends. With a new guitar player and a less tough edged more melodic sound this show is probably the best sounding show I've ever seen from the post-punking Brooklynites. Of course LSF shows don't get graded on music alone. Tim was in fine form running up the stairs and dangling from the balcony, dressing like a detective and rubbing his sweat forehead against mine. So why the low grade? The new music lacks a bit of the aggressive punch of the band's classics of which they played precious little. Seems strange to see a LSF show without "Tragic Monsters" or "No Sleeves". Maybe this is old fan griping, if so I'm sorry.

10/2/07 Webster Hall

Pissed Jeans 90% - Selling noise skronk-punk to a huge crowd is a bit like playing darts blind folded, it's probably not going to work but you could just make it. Pissed Jeans much to my delight seemed to sell all the Man Man fans smart enough to show up early. Their dirdges and caotic performance style wowed the audience and they managed to not over stay their welcome even with trips into the deep dark abyss like the nearly 7 minute "Don't Need Smoke To Make Myself Disappear" in their set. You like the rawk and haven't yet seen these Sub Poppers? Fix this as soon as possible.

Celebration 62% -
My indifference to your band grows daily.

Man Man 91% - New material went over amazingly, old material is the same old ruckus that we fell in love with a few moons ago. Still one of the finest acts touring and now they're refining and fine tuning their circus of a stage show. This band is poised to get much bigger this year, mark my words.

10/6/07 Randall's Island

Les Savy Fav 79% - I never thought I could give Les Savy Fav a lower grade than an 80%, but having all of the same qualms with this shortened set as I did with their previously mentioned Bowery set and watching most of Tim's shenanigans on the screens on either side of the stage was strange and jarring and I think the band might agree. I will say Tim had one of his best opening lines ever to what may be one of the largest crowds these guys have ever entertained: "We're Les Savy Fav and this our first show."

Blond Redhead 82% - Am I an asshole for knowing none of these guys albums? Even now three weeks after they impressed me so much in such a huge environment I haven't so much as downloaded a song. Their set was engaging and subtle which was an odd switch up from the rest of this event. They let the music do the talking and it was loud, clear, and mostly pretty beautiful.

LCD Soundsystem 94% - James Murphy is my pick for indie icon of the decade. Something like the Larry David of indie culture Murphy has been able to expand his snooty attitude into a big tent pop act that wowed the crowd many of whom were likely Arcade Fire obsessed depressive types. Inspite of an incredibly able band Murphy makes sure that the crowd's attention is squarely on him. He's charismatic and his songs are not out of place pumping up a crowd of several thousand. Someone get this guy the cover of Time.

Arcade Fire 91% - True or False Arcade Fire are the biggest indie band in history to still be an indie band? I'm not sure but it smells that way. Production values and arena rock moves suite this band well but it's the songs and the clamoring of the nearly dozen people on stage makes them the band Modest Mouse could never be.

10/10/07 Cake Shop

Sorry Jay Reatard and Hunchback, you both sounded fine but this venue sucks.

Stand by for my CMJ related ratings...

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Wednesday, August 15, 2007

Yippy! Jay Reatard Is Coming Back To Town!

Revisionist history: Jay Reatard's Blood Visions is my second favorite album of last year. It's more or less the thing I've listened to most since getting a copy (kudos) in February.

Jay Reatard's performance at Asbury Lanes was the best straight rock performance (ie: not Daft Punk's electronic extravaganza and not CSS's rowdy dance set) I've seen all summer. Sadly it was to about 9 people. Also sadly, or perhaps appropriatly, judging from his YouTube videos it was a pretty tame set. This all leads to me being very eager to catch one of his several upcoming local gigs! (Plenty of dates are below the performance clip.)

Oct 10 2007 8:00P Cake Shop New York, NY (with a band called Hunchback)

Oct 11 2007 8:00P Death By Audio Brooklyn, NY (likely a Todd P show.)

Oct 18 2007 8:00P CMJ New York, NY (Probably not getting in without a pass.)

Oct 20 2007 8:00P Maxwell’s Hoboken, NJ (With The Dirtbombs.)

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Thursday, July 26, 2007

Seemingly Arbitrary Rating of My July Concert Performances

I've seen alot of shows and only recently unlocked the photo upload power of my digital camera and even more recently restarted blogging in ernest. As such I've missed discussing alot of concerts. As a way to introduce my new percentage grading of rock performances and as a way of quantifying my whole summer concert going experience here is a list of individual performances graded for your amusement.

7/4 - New Pornographers (Battery Park) - 53% Sure they were fine, but fine shouldn't cut it when you've reached the level of these Canadian power poppers. The other problem was the missing Dan Bejar which would have been enough on it's own but then his voice arrived dissembodied from out of the speakers.

7/6 - Black Moth Super Rainbow (Seaport) - 63% A drummerless Black Moth composes a whirl of pleasant synthed out psych bliss but in the context of the Seaport with a complete lack of actual performing it falls on a deaf and uninterested crowd.

7/6 - Fujia and Miyagi (Seaport) - 72% A good performance, nice rythms the crowd was into it, might be nice to raise your vocals above a whisper once in a while.

7/7 - Cat Power (McCarren Pool) - 36% Chan Marshal and band were functionally very good, refined subtle, almost exuberent. But where was the angst? Where were the songs we all came out for? Not to be found.

7/7 - Built to Spill (McCarren Pool) - 75% I've seen at least 3 better Built to Spill shows but they're a work horse and they get the job done.

7/8 - Puttin' On The Ritz (Knitting Factory) - 82% A little bit of spunk takes this sort of rock sort of comedy act to a wonderful place. Not for everyone.

7/8 - Marnie Stern (Knitting Factory) - 92% Marnie and a two piece band (featuring Hella's Zach Hill) plow through precise prog-noise in an amazing way. Exhaustingly brilliant.

7/13 - Menomena (Seaport) - 65% I'm not terribly interested in this band, but they actually sounded quite good.

7/21 - The Twilight Sad - 84% Great sound and just the right amount of stoic emoting.

7/21 - Dr. Dog (Siren) - ZZZZ% Seriously.

7/21 - Black Lips (Siren) - 77% Pretty great but the hype is not kind in the context of Siren.

7/21 - We Are Scientists (Siren) - 79% Better than expected, the crowd really seemed wrapped up in it.

7/21 - M.I.A. (Siren) - 89% Great recovery from technical difficulties and a psyched crwod made this the high light of the day.

7/22 - Oxford Collapse (McCarren Pool) - 86% Excellent band expands to include horns and extra drummers, survives.

7/22 - Annuals (McCarren Pool) - 43% Better than the last time I saw them still remarkably unremarkable.

7/22 - Jay Reatard (Asbury Lanes) - 94% Best performance of the month so far. Reatard and his band attack with extreme precision. Less than a half hour of performance and yet I was totally satisfied.

7/22 - The Ponys (Asbury Lanes) - 69% Playing to less than 2 dozen people the Ponys still did their darndest.

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